Sunday, August 30, 2009


Another experimental video – old film footage and my old guitar.


Actually this is my grandparents, doing a bit of acting for me in 1980 – they were keen to do a bit of experimenting with art now and then. This footage was originally shot on an old, second hand, standard 8 camera. I recently converted over three old film reels I had from around this time – projecting them onto a screen and then videoing them – the frame rates are out, but I like the effect anyway.

The music is my guitar distorted on a cheap amp with drums added, and then slowed right down – the whole final thing is very grungy.

Saturday, August 29, 2009


Just finished NASA #8 – The NASA Control of Culture – Acrylic on canvas – Cadmium Yellow, Phthalo Blue, Cadmium Red, Titanium White, and Carbon Black.


A bit of good and evil mixed up in #8 – just like culture. A cross on a boat on a mountain – a stream of sixes flowing – black bird like creatures flocking – snake like ropes and coils for breathing and support – yellow stars shining – astronauts crumpled and dragged.

I don’t believe in the notion that artists shouldn’t talk about their work: that the art should speak for itself. The art does speak and so can the artist, as long as they are articulate enough to communicate clearly.

Sometimes not speaking is a foil for not knowing anything and other times the speaking is so cryptic and meaningless that all sense is buried. It is important to think and talk about art, especially your own.

What is “culture” but the avoidance of fresh air. Below is a detail from my stagnant pond of blow hard NASA #8 stench. What the heck does it all mean?

NASA 8 detail

Next is  - NASA in a Time of Drought – same actors, different costumes, different story.

Saturday, August 15, 2009



Yes, is the new No. This is another bit of snipping and stitching – a bit from here and a bit from there. The image is a portion of a drawing inverted in Irfranview, the guitar is just a quick bit of picking, the drums are a free sample from Magix music maker. The music was slapped together in Samplitude and then mixed with the image in Movie edit pro. All this was shunted up to Youtube and then posted up to blogger via Windows Live writer – our generation has problems.

Saturday, August 8, 2009



This is a song I wrote back in 1981 – it was scribbled in my college daze art journal – 20 years later I re-wrote the tune a bit – and now 8 years later I have just done a quick recording – two takes, very little editing and a spontaneous bit of guitar picking – with plenty of mistakes. The sound card used for the recording cost ten dollars and the software was free.

This is very much how I do things – the man with the ever present past – slowly moving along at the cheapest pace – maybe in ten years, I will make another if I can afford it.

Monday, August 3, 2009




The above drawing is a  negative version of a quick draft for the following painting. The painting was completed back in 2000 using acrylic paint on a 900x1200x3mm hardboard sheet. At the time I was thinking about doing a series on couples – not so much about boy/girl couples or marriages etc. , but two people together in some sort of setting. I eventually did a few in the couple series, but never really exhausted the possibilities or developed the potential.

In such a typical way I returned to an older form and produced a single portrait from the waist up, looking out and towards the viewer.  One day I may go back to the original idea – because the draft is quite different to the painting and seems to suggest another direction altogether.


Red Man green curtains 

I like the idea of going back and cannibalising older artworks and creating some new strain of art. I recently reworked some songs that I had written way back in the late seventies and early eighties and changed the lyrics, but in a parallel way. The Psalms of the Bible use a form of poetry called parallelism. An idea is stated then followed up by a second statement which is really the same idea expressed in a different way.  I think this could be done in painting: in the one painting: like an idea bouncing around inside a frame, or an idea being reflected back through a mirror.

I am sure this has been done before, but could it could be an interesting device for presenting ideas. Sort of reiterating and emphasizing by presenting a slightly different viewpoint each time. This is quite different to using opposites to create a synthesis. It is possibly a more sure and harmonious way of presenting ideas – possibly a pre-twentieth century concept based more on belief in absolute truth instead of  one based on moving goal posts.

I think I will do a series of drawing/paintings based on a black background, and maybe with two figures that express the same idea in a different way – reminds me of most relationships really.

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